Photography & More by Mike Small

Archives for Scottsdale Area Photography category

The Civic Center Library in Scottsdale was designed by Bennie Gonzales.  Although not generally well know, Gonzales’ other work in the Phoenix area include the Heard Museum in central Phoenix.

Photo of the Scottsdale Civic Center Library

f/11.0 – 1/100 sec – ISO 100 – Focal Length 28 mm

Photo of the Scottsdale Civic Center Library

f/11 – 1/60 sec – ISO 100 – Focal Length 28 mm

Photo of the Scottsdale Civic Center Library

f/11.0 – 1/100 sec – ISO 100 – Focal Length 50 mm

Photo of the Scottsdale Civic Center Library

f/2.8 – 1/4 sec – ISO 100 – Focal Length 28 mm

This is the final set of images from Taliesin West in Scottsdale.  Be sure to check out the first and second sets to get the whole picture.

Photo of the Frank Lloyd Wright School of Architecture, Taliesin West

f/5.6 – 1/50 sec – ISO 100 – Focal Length 50 mm

The roof of the drafting studio is made of canvas; a reminder that this was originally a desert camp.  In the off season the canvas was removed and stored to help prolong its useful life.

Photo of Frank Lloyd Wright School of Architecture, Taliesin West

f/7.1 -1/100 sec – ISO 100 – Focal Length 50 mm

In the 1930s the Taliesin West site was miles from “civilization.”  Materials to construct the buildings were taken right from the site which further tied the buildings to the site.  The early evening sun brings out the reds and oranges of the store used in the concrete form walls.

Photo of the dragon at the Frank Lloyd Wright School of Architecture, Taliesin West
f/3.2 – 1/200 sec – ISO 400 – Focal Length 50 mm

This fire breathing dragon originally spout out water but was later fitted with a gas line to make it more authentic.

Photo of Frank Lloyd Wright School of Architecture, Taliesin West
f/6.3 – 1/30 sec – ISO 100 -  Focal Length 50 mm
Photo of Frank Lloyd Wright School of Architecture, Taliesin West
f/7.1 – 1/15 sec – ISO 100 – Focal Length 50 mm
Photo of Frank Lloyd Wright School of Architecture, Taliesin West at night
f/1.7 – 1/4 sec – ISO 800 – Focal Length 50 mm

Taliesin West on a desert night is a beautiful place to photograph.  The Night Lights on the Desert tour gives you the opportunity to see the school in both the golden hour and lit up in the dark of night.

One post of six images from the Frank Lloyd Wright School of Architecture at Taliesin West is not enough to do justice.  So as a follow up to my first post of images from Taliesin, here are six more photographs.

Photo of Frank Lloyd Wright's Taliesin WestThe Iconic View
f/6.3 – 1/40 sec – ISO 100 – Focal Length 50 mm

This view of Taliesin West is probably one of the most photographed of the campus.  The school has been served by natural ground water since construction began in the 1930s.  To this day it still in not hooked into the city water system.

Photo of Frank Lloyd Wright's Taliesin West

f/6.3 – 1/125 sec – ISO 100 – Focal Length 50 mm

Many of the roofs at Taliesin are canvas.  The original intent was to build a desert camp making canvas a fitting material.  Today some innovative methods have had to been devised to prolong the life of the canvas in the harsh desert climate.

Photo of Frank Lloyd Wright's Taliesin West

Living Room Roof
f/4.0 – 1/15 sec – ISO 200 – Focal Length 50 mm

Photo of Frank Lloyd Wright's Taliesin West

The Drafting Studio
f/7.1 – 1/80 sec – ISO 100 – Focal Length 50 mm

Photo of Frank Lloyd Wright's Taliesin West

Asian Art
f/2.8 – 1/40 sec – ISO 200 – Focal Length 50 mm

Frank Lloyd Wright had an infinity for Asian art.  There are hints of it placed through out the property such as these figures which Wright bought in pieces and had an apprentice reassemble.

Photo of Frank Lloyd Wright's Logo at Taliesin WestI recently took the Night Lights on the Desert tour at Frank Lloyd Wright’s Taliesin West.  Taliesin West is the winter home to the Frank Lloyd Wright School of Architecture and is located in North Scottsdale, Arizona.  If you are familiar with Wright’s style you will immediately recognize the buildings of the school as his architecture.  Work began on the school in 1937 when that part of Scottsdale was just open desert.  Today the suburbs have encroached, but the school’s 300 acres of land keep a buffer between it and urban sprawl.

The Night Lights on the Desert tour is a great tour for anyone, but it gives the photographer the opportunity to see the architecture of Taliesin at the golden hour when the light is prime.  The only way to photograph the grounds and buildings are with a guided tour so your photography prospects may be a bit limited.  But with a little preparedness you should not be impeded too much.  Here are few things to keep in mind:

  1. Try to hang out at the back of the pack.   You do not want to stray from the group or fall too far behind, but being at the back will give you a chance to get some “tourist free” shots once the tour group has moved out of space.
  2. Fidgeting with lens changes while trying to pay attention to a tour guide and stay with the group can be a challenge.  Pick one good universal lens and stick with it.
  3. Try not to rely too much on flash photography.  You will have enough natural light for most of the tour (in the summer months in particular) to capture what you need with ISO, aperture and shutter speed adjustments.
  4. Some photographers have ruined it for the rest of us.  Until not too long ago, photography for personal use, was allowed most everywhere on the tour.  But when images of Wright designed furnishings and other artifacts began showing up for sale on the internet the Foundation stopped allowing photography in the interior spaces.  Make sure you abide by the restrictions so that they are not forced to eliminate photography altogether.
Photo of rock art (petroglyphs) at Taliesin WestTaliesin Petroglyphs
f/7.1 – 1/40 sec – ISO 100 – Focal Length 50 mm

This rock art was found in the McDowell Mountains on the Taliesin land back in the 1930′s and relocated to the site of the buildings by Wright.  The second image from the left on the bottom was incorporated by Wright into his logo design.

Photo of the Entry to Taliesin West

Entrance to Taliesin West
f/9.0 – 1/100 sec – ISO 100 – Focal Length 50 mm

Photo of the roof line at Taliesin West

Taliesin West Roof Lines
f/11 – 1/200 sec – ISO 100 – Focal Length 50 mm

The roof lines of the buildings at Taliesin West reflect the lines of the McDowell Mountains in the background while the stone used from the site reflect the color of the landscape.

Photo of the entry fountain at Taliesin West
Entrance Fountain at Taliesin West
f/11.0 – 1/30 sec 0 ISO 100 – Focal Length 50 mm

Photo of Frank Lloyd Wright's Office at Taliesin West

Frank Lloyd Wright’s Office
f/8.0 – 1/200 sec – ISO 100 – Focal Length 50 mm

Similar to the roof line image above, the slope of the roof of the building that served as Mr. Wright’s office follows the slope of the mountain behind it.  The colors of the rocks and concrete used in the walls further connect the building to the site.

Photo of the sun set in PhoenixPhoenix Sunset
f/3.2 – 1/250 sec – ISO 200 – Focal Length 50 mm

Just a few clouds in the sky make for more dramatic sunsets.  This sunset was photographed from Taliesin West in Scottsdale.  The mountain in the distance is Camelback Mountain.

Photo of a saguaro cactus at sunsetSaguaro Sunset
Taken from the appropriately names “Sunset Terrace” at Taliesin West
Scottsdale, Arizona
f/5.6 – 1/640 sec – ISO 100 – Focal Length 50 mm

This is the final post of photographs from the AIA Phoenix 2010 Home Tour.  These last two homes are similar in that they both share very modern designs with clean lines and hard surfaces as the celebrate the materials used.  Concrete, steel, block and glass are not covered up with drywall and stucco but left exposed as significant structural and design elements.  Homes in the previous posts can be found here:  AIA 2010 Phoenix Home tour Part I, AIA 2010 Phoenix Home tour Part II, AIA 2010 Phoenix Home tour Part III.

Photo from the AIA 2010 Phoenix Home Tour
f/13 – 1/100 sec – ISO 100 – Focal Length 28 mm
Photo from the AIA 2010 Phoenix Home Tour
f/13 – 1/80 sec – ISO 100 – Focal Length 28 mm
Photo of the Desert Wing House at the AIA 2010 Phoenix Home Tour
f/14 – 1/100 sec – ISO 100 – Focal Length 28 mm
Photo of the Desert Wing House at the AIA 2010 Phoenix Home Tour
f/14 – 1/80 sec – ISO 100 – Focal Length 28 mm
Photo of the Desert Wing House at the AIA 2010 Phoenix Home Tour
f/14 – 1/100 sec – ISO 100 – Focal Length 28 mm
Photo of the Desert Wing House at the AIA 2010 Phoenix Home Tour
f/14 – 1/50 sec – ISO 100 – Focal Length 28 mm

This is the third of four posts featuring the homes on the 2010 American Institute of Architects (AIA) Home Tour in Phoenix.  Part I features photographs from a home that blended with its desert site almost seamlessly.  Part II had three homes of varying styles.  This post features two homes that were remodels of mid 20th century homes.  The resulting residences are a blending of the original structures and modern needs.  Each used diverse and rich materials to some very beautiful architecture.

Photo of an Al Beadle home in Arcadia Phoenix
f/13 – 1/125 sec – ISO 100 – Focal Length 28 mm
Photo of an Al Beadle home in Arcadia Phoenix
f/7.1 – 1/50 sec – ISO 100 – Focal Length 28 mm
Photo of an Al Beadle home in Arcadia Phoenix
f/7.1 – 1/200 sec – ISO 100 – Focal Length 28 mm
Photo of an Al Beadle home in Arcadia Phoenix
f/7.1 – 1/6 sec – ISO 100 – Focal Length 28 mm
Photo of a home from the AIA 2010 Phoenix Home Tour
f/13 – 1/160 sec – ISO 100 – Focal Length 28 mm
Photo of a home from the AIA 2010 Phoenix Home Tour
f/13 – 1/60 sec – ISO 100 – Focal Length 28 mm

This is part II of my architecture photography from the AIA 2010 Home Tour in Phoenix.  Images from part one and more details on the tour can be found here.

Photo of a home on the Phoenix AIA Home Tour 2010
f/10 – 1/100 sec – ISO 100 – Focal Length 28 mm
Photo of a home on the AIA Phoenix Home Tour 2010
f/11 – 1/60 sec – ISO 100 – Focal Length 28 mm
Photo of a home on the AIA 2010 Phoenix Home Tour
f/9.0 – 1/160 sec – ISO 100 – Focal Length 28 mm

The three photographs below are from one of my favorite houses on the tour.  The attention to detail was amazing.  Everything from the materials used to the placement of windows to the entire layout of the home was obviously done with an incredible amount of thought and planning.  The end result was a truly spectacular home.

Photo of a home on the AIA Home Tour 2010 - Scottsdale
f/10 – 1/40 sec – ISO 100 – Focal Length 28 mm
Photo of a home on the AIA Home Tour 2010 - Scottsdale
f/10 – 1/200 sec – ISO 100 – Focal Length 28mm
Photo of a home on the AIA Home Tour 2010 - Scottsdale
f/14 – 1/100 sec – ISO 100 – Focal Length 50 mm

Photo of the Scottsdale Museum of Contemporary Art (SMoCA) signMuseum number two on my list of the top 5 museums worth photographing in Phoenix is the Scottsdale Museum of Contemporary Art (SMoCA).  Located in the Scottsdale Civic Plaza near the Scottsdale Center for the Performing Arts SMoCA is a bit of an eclectic building from an architectural standpoint.  It incorporates several materials into the buildings facade including glass, concrete, corrugated steel, and mirrored surfaces.

I shot this museum twice, once in mid-afternoon and once at the “magic hour.”  It shows much better in very late afternoon as the sun is beginning to set.  The various surfaces of the museum’s exterior reflect and play with the setting sun light very well.

One thing to note on this museum is that they forbid photography in the interior spaces.

Photo of the Scottsdale Museum of Contemporary Art (SMoCA)
SMoCA – Front Facade
Opaque Glass panels
f/2.8 – 1/15 sec – ISO 100 – Focal Length 28 mm
Photo of the Scottsdale Museum of Contemporary Art (SMoCA)
SMoCA – Rear Facade
Corrugated steel wrapped walls
f/2.8 – 1/20 sec – ISO 100 – Focal Length 28 mm
Photo of the Scottsdale Museum of Contemporary Art (SMoCA)
Detail of SMoCA glass panels
f/8 – 1/30 sec – ISO 100 -Focal Length 50 mm
Photo of the Scottsdale Museum of Contemporary Art (SMoCA)
Detail of SMoCA glass panels
f/2.8 – 1/5 sec – ISO 100 -Focal Length 28 mm
Photo of the Scottsdale Museum of Contemporary Art (SMoCA)
SMoCA
f/2.8 – 1/6 sec – ISO 100 – Focal Length 28 mm
Photo of the Scottsdale Museum of Contemporary Art (SMoCA) - Rear
Detail of SMoCA rear corrugated steel facade
f/7.1 – 1/100 sec – ISO 100 – Focal Length 50 mm